“I have always admired the work of Marion and Matthew, they have constantly proved to be exemplary practitioners working with and for communities who are regularly forgotten by the main stream.
They work hard, have strong ethics, a lovely creative energy and I’m very exciting to see how there new company develops.”
Artistic Director & Chief Executive of Theatre Royal Stratford East (TRSE) from 2004 to 2017
“Joan Littlewood would have loved this show for many reasons. Firstly, because it is based on interviews with real people…She transferred this way of telling the stories of working class people into the theatre where she added dance and movement in ways British theatre had never seen before. Bridges y Puentes does this too…Joan would have loved the fact that the show is performed in an extremely unlikely place, Stratford Multi-storey Carpark. Joan loved street entertainment interacting with passers-by, so it was a real pleasure to see this show rehearsing on the streets near the theatre.”
Artistic Director at Theatre Royal Stratford East (TRSE) from 1979 to 2004 on Bridges y Puentes, directed and produced by Marion for The Ragroof Players. See the full article.
“It is an absolute pleasure working with Matthew and Marion on South East Dance’s The Welcome Project. The level of commitment and focus that they give to the regular sessions with older adults is outstanding as is the care and attention that they give to each individual who attends. The sessions are always fun and inclusive, suitable for all abilities and confidences, Matthew’s genuine awareness of the group and individual needs and his ability to respond to these on a week by week basis is incredible and makes for a joyful dancing and social experience for all. We will be hoping to continue working with both Matthew and Marion again through Murmuration Arts as they bring a unique and very special gift to all their activities and events.”
Creative Communities Manager, South East Dance
“I have worked with Marion for many years and have always been a supporter of her work, particularly her rigor and commitment when it comes to working with participatory practice and the sensitivity and care she has when working to reflect people’s true stories.
Over the last few years particularly I have seen her technique and passion for creating meaningful projects which truly empower the participants and the collaborators involved whilst managing to create theatrical productions which really affect the audience on a deeper level and allow a powerful understanding of other’s experiences.”
Artistic Director and Joint Chief Executive Freedom Festival Hull
